mesamm: (Default)
***COMPLETE!***

El & Em cover photo, showing a vintage looking bus piled high with music equipment, with one window lighted up, under a black starry sky

Philadelphia, 1972: All Luke wants is to share his music with the world. When an imposing, slightly older trumpet player called Emmett joins his band, Luke is fascinated – and a lifelong friendship is born. Love and loyalty are forged in the slow burn of tours, shows and recording sessions. Over the years, Luke’s curiosity and Emmett’s indulgence slowly push the two of them into complicated new territory. Emmett tries to keep them safe – but Luke wants it all.

In this monumental romance spanning more than twenty years, there are no heroes and no villains – just people doing their best in a messed up world.

Content Notes:
  • Open relationships
  • Period-realistic racism
  • References to AIDS and period-realistic homophobia
  • Mild Dom/sub power dynamics
No use of slurs, no sexual violence, no cheating

Author Notes:

Many thanks to my kind, helpful and generous beta readers: Ky K, Morgan Beacham, Leslie Lewis Johnson, Alex Lawrence, Nicola Doyle, and Kelly Salmon. Special thanks to Nicola for proof-reading assistance.

This is a work of fiction. All the names, characters, businesses, places, events and incidents in this book are either the product of the author's imagination or used in a fictitious manner. Any resemblance to actual persons, living or dead, or actual events is purely coincidental.

Cover designed by Getcovers
mesamm: (Default)
Story: El & Em
Rating: NC-17 (in a couple of later chapters only)
Word Count: This part: 3,200. Full story: About 103k.
Summary: Philadelphia, 1972. All Luke wants is to share his music with the world. When an imposing, slightly older trumpet player called Emmett joins his band, Luke is fascinated – and a lifelong friendship is born. Love and loyalty are forged in the slow burn of tours, shows and recording sessions. Over the years, Luke’s curiosity and Emmett’s indulgence slowly push the two of them into complicated new territory. Emmett tries to keep them safe – but Luke wants it all. In this monumental romance spanning more than twenty years, there are no heroes and no villains – just people doing their best in a messed up world.
Previous chapters: 1 || 2 || 3 || 4 || 5 || 6 || 7 || 8 || 9 || 10 || 11 || 12 || 13 || 14 || 15 || 16 || 17 || 18 || 19 || 20 || 21 || 22 || 23 || 24 || 25 || 26 || 27 || 28 || 29

Epilogue: Twenty years later

“Isn’t that, like, a conflict of interest?” Luke asked, laughing into his phone.

Mary-Ann was reassuring. “No, no, I'm only the messenger. I had nothing to do with the invite.”

“And what's it for again?”

“They want to recognize you and dad for your work in HIV/AIDS education and awareness.”

“That sounds like a lot of fancy words for writing a couple songs and playing a few benefits.”

“I'm sure they want to sell more tickets too but you guys have done more than almost anyone else in terms of visibility.”

“And…what do we have to do?” )
mesamm: (Default)
Story: El & Em
Rating: NC-17 (in a couple of later chapters only)
Word Count: This part: 3,200. Full story: About 103k.
Summary: Philadelphia, 1972. All Luke wants is to share his music with the world. When an imposing, slightly older trumpet player called Emmett joins his band, Luke is fascinated – and a lifelong friendship is born. Love and loyalty are forged in the slow burn of tours, shows and recording sessions. Over the years, Luke’s curiosity and Emmett’s indulgence slowly push the two of them into complicated new territory. Emmett tries to keep them safe – but Luke wants it all. In this monumental romance spanning more than twenty years, there are no heroes and no villains – just people doing their best in a messed up world.
Previous chapters: 1 || 2 || 3 || 4 || 5 || 6 || 7 || 8 || 9 || 10 || 11 || 12 || 13 || 14 || 15 || 16 || 17 || 18 || 19 || 20 || 21 || 22 || 23 || 24 || 25 || 26 || 27 || 28

Chapter 29

An hour or so later, Emmett made himself a drink and slowly went over to sit on the sofa in his hotel suite. He'd already showered, changed into his pajamas and robe, made a phone call and checked in with Diane, but he wasn't ready to sleep yet. He still felt faintly teary, and couldn't stop thinking of Luke's new song. Hearing it had felt, for the first time, like a validation – as though there might be a reason why he saw things so differently from Luke. As though, perhaps, he hadn't just failed Luke at the critical moment.

There was a knock at the door. Somehow Emmett wasn't surprised. “It's open,” he said.

When Luke came in, Emmett realized he'd been half-expecting this all night. It seemed like they had some unfinished business. He didn't get up, just looked up from where he sat on the couch.

Luke wore his usual post-concert outfit – clean jeans, a t-shirt, bare feet – just like he used to, all those nights on earlier tours – so many nights – when he'd call Emmett to ask if he could come over, then slide to his knees inside the door and wait with that air of stillness and tranquility. Emmett shut his eyes at the memory, and when he opened them again he saw Luke watching him, focused and intent, but with a familiar softening in the lines around his eyes.

“Were you waiting for me, Em?” )
mesamm: (Default)
Story: El & Em
Rating: NC-17 (in a couple of later chapters only)
Word Count: This part: 3,200. Full story: About 103k.
Summary: Philadelphia, 1972. All Luke wants is to share his music with the world. When an imposing, slightly older trumpet player called Emmett joins his band, Luke is fascinated – and a lifelong friendship is born. Love and loyalty are forged in the slow burn of tours, shows and recording sessions. Over the years, Luke’s curiosity and Emmett’s indulgence slowly push the two of them into complicated new territory. Emmett tries to keep them safe – but Luke wants it all. In this monumental romance spanning more than twenty years, there are no heroes and no villains – just people doing their best in a messed up world.
Previous chapters: 1 || 2 || 3 || 4 || 5 || 6 || 7 || 8 || 9 || 10 || 11 || 12 || 13 || 14 || 15 || 16 || 17 || 18 || 19 || 20 || 21 || 22 || 23 || 24 || 25 || 26 || 27

Chapter 28

Just before the break, Laura told Luke she wouldn't be joining the band for the second phase of the tour. She wanted to stay home with the kids so they could start at their regular school in the fall, and so she could prepare for her own upcoming solo tour.

Luke congratulated himself on his foresight in adding Robbie to the band. To learn Laura's parts, Robbie spent most of the break at the farmhouse working with Luke. They spent their days holed up in the studio, then emerged in the evening to join the rest of the family.

“So my old band called me today,” Robbie said casually over dinner one night. “They wanted me to join their new tour.”

“When?” Luke asked, trying not to sound alarmed. Laura was out at rehearsal tonight, so he and Robbie were trying to keep Julia and Jason corralled at the table.

“Next month.” Robbie leaned over to cut up Jason’s salmon for him, and gave Luke a reassuring grin. “I told them I can't, obviously.”

“Don't you like your old band?” Julia asked curiously. )
mesamm: (Default)
Story: El & Em
Rating: NC-17 (in a couple of later chapters only)
Word Count: This part: 3,200. Full story: About 103k.
Summary: Philadelphia, 1972. All Luke wants is to share his music with the world. When an imposing, slightly older trumpet player called Emmett joins his band, Luke is fascinated – and a lifelong friendship is born. Love and loyalty are forged in the slow burn of tours, shows and recording sessions. Over the years, Luke’s curiosity and Emmett’s indulgence slowly push the two of them into complicated new territory. Emmett tries to keep them safe – but Luke wants it all. In this monumental romance spanning more than twenty years, there are no heroes and no villains – just people doing their best in a messed up world.
Previous chapters: 1 || 2 || 3 || 4 || 5 || 6 || 7 || 8 || 9 || 10 || 11 || 12 || 13 || 14 || 15 || 16 || 17 || 18 || 19 || 20 || 21 || 22 || 23 || 24 || 25 || 26

Chapter 27

Things weren't turning out exactly how Emmett had expected. Instead of being alone or with Mary-Ann till she grew up, he was sharing his house with Robbie and Walt as well, at least temporarily. Rather than remaining single indefinitely, he'd met a kind woman at his gym and they often hung out for movies or dinner. And most unbelievably, the professional music career he'd assumed was over appeared to have resurrected. You just never knew about life, he often thought to himself.

One thing that hadn't surprised him was his renewed friendship with Luke. Somehow, he'd always known they'd figure it out again at some point. He just couldn't imagine a world where he and Luke were on the same planet and not eventually friends. Even Luke's slightly teary apology hadn't really been unexpected; Luke had always worked hard at relationships. What did make Emmett wonder a bit had been that hug after their conversation – not the physical contact, exactly, but the way it had lingered slightly, as though Luke hadn't wanted it to end.

Emmett often watched Luke and Laura together, when he happened to be with both of them. As far as he could tell, they seemed comfortable and content, like any couple. They weren't terribly demonstrative, but Luke always treated Laura courteously, consulted her on decisions or social invitations, and deferred to her on domestic matters. There was no reason to think he had anything besides real feelings for her – other than Emmett's nagging sense that Luke had been different with him, when they were involved.

In any case, Luke still seemed to treat him with a certain delicacy when they saw each other these days. Emmett couldn't tell if it was a lingering reserve from their long time apart, a fear of inadvertently giving the wrong impression, or something else altogether.

Much of that fall was spent preparing for the upcoming tour. )
mesamm: (Default)
Story: El & Em
Rating: NC-17 (in a couple of later chapters only)
Word Count: This part: 3,200. Full story: About 103k.
Summary: Philadelphia, 1972. All Luke wants is to share his music with the world. When an imposing, slightly older trumpet player called Emmett joins his band, Luke is fascinated – and a lifelong friendship is born. Love and loyalty are forged in the slow burn of tours, shows and recording sessions. Over the years, Luke’s curiosity and Emmett’s indulgence slowly push the two of them into complicated new territory. Emmett tries to keep them safe – but Luke wants it all. In this monumental romance spanning more than twenty years, there are no heroes and no villains – just people doing their best in a messed up world.
Previous chapters: 1 || 2 || 3 || 4 || 5 || 6 || 7 || 8 || 9 || 10 || 11 || 12 || 13 || 14 || 15 || 16 || 17 || 18 || 19 || 20 || 21 || 22 || 23 || 24 || 25

Chapter 26

Somehow, life in Seattle seemed harder after the visit to Philadelphia – for Laura as well as Luke.

“It was so good for the kids to see my sisters and my folks,” Laura would say. “It's kinda sad not having any family around here at all. And…I miss the guys I used to work with in Philly.”

In truth, Luke agreed. He missed his old life and old friends. Seattle had been fine as a hide-out, he guessed, but it wasn't offering him much in the way of long-term satisfaction. He knew Laura was struggling to fit in here as well, especially with the kids being a bit older; Julia had started kindergarten already and Jase would be soon.

So it wasn't a surprise when Laura raised the topic again, this time more explicitly. She wanted to move back to Philadelphia, and thought he might be happier there too – but she was willing to postpone it if he needed more time, or to choose somewhere else altogether if he thought he might never be ready.

Luke thought briefly about Austin, Texas or Athens, Georgia – places with thriving music scenes. But that hadn't worked out so well last time, had it? The best part of Seattle was Robbie, and that was only because Luke had talked him into staying. Laura was right – Philly was home. Was he never going to face his past?

Of course he knew what he was afraid of. )
mesamm: (Default)
Story: El & Em
Rating: NC-17 (in a couple of later chapters only)
Word Count: This part: 3,200. Full story: About 103k.
Summary: Philadelphia, 1972. All Luke wants is to share his music with the world. When an imposing, slightly older trumpet player called Emmett joins his band, Luke is fascinated – and a lifelong friendship is born. Love and loyalty are forged in the slow burn of tours, shows and recording sessions. Over the years, Luke’s curiosity and Emmett’s indulgence slowly push the two of them into complicated new territory. Emmett tries to keep them safe – but Luke wants it all. In this monumental romance spanning more than twenty years, there are no heroes and no villains – just people doing their best in a messed up world.
Previous chapters: 1 || 2 || 3 || 4 || 5 || 6 || 7 || 8 || 9 || 10 || 11 || 12 || 13 || 14 || 15 || 16 || 17 || 18 || 19 || 20 || 21 || 22 || 23 || 24

Chapter 25

Luke and Laura had one long discussion before he made his decision, and then never really spoke about it again. Laura's bottom line was simple: she wanted a real partner and a real family, not a public relations exercise. Other than that, she put no rules or restrictions on Luke; she just trusted him. So it wasn't because of her that Luke cut off contact with Emmett; no, he made that choice himself.

He suggested relocating and she had no objection. He picked Seattle not only for the distance – whatever that was worth, when he was rich enough to charter a plane any time of the day or night and be with Emmett in a matter of hours – but because he'd heard that interesting music was coming from the area and thought it might be inspiring or at least distracting. The other option was Austin, and Luke didn't see himself living in Texas.

Being a father turned out to be everything Luke had hoped for. )
mesamm: (Default)
Story: El & Em
Rating: NC-17 (in a couple of later chapters only)
Word Count: This part: 3,200. Full story: About 103k.
Summary: Philadelphia, 1972. All Luke wants is to share his music with the world. When an imposing, slightly older trumpet player called Emmett joins his band, Luke is fascinated – and a lifelong friendship is born. Love and loyalty are forged in the slow burn of tours, shows and recording sessions. Over the years, Luke’s curiosity and Emmett’s indulgence slowly push the two of them into complicated new territory. Emmett tries to keep them safe – but Luke wants it all. In this monumental romance spanning more than twenty years, there are no heroes and no villains – just people doing their best in a messed up world.
Previous chapters: 1 || 2 || 3 || 4 || 5 || 6 || 7 || 8 || 9 || 10 || 11 || 12 || 13 || 14 || 15 || 16 || 17 || 18 || 19 || 20 || 21 || 22 || 23

Chapter 24

Emmett got the call in London. He'd been hired for a recording session with a big-name singer in the UK shortly after the tour ended. He left Angela and Mary-Ann at home and flew over a couple of days later, so he was alone in his hotel room when the phone rang.

“Hey, Em,” Luke said, his voice tired and strained.

Emmett knew something was up immediately. “Hi,” he said quietly, and waited.

“I wanted to let you know first. It's over, brother. I've decided not to work with the band anymore.”

“What?” Emmett stared dumbly at the phone. “What – what band?” )
mesamm: (Default)
Story: El & Em
Rating: NC-17 (in a couple of later chapters only)
Word Count: This part: 3,200. Full story: About 103k.
Summary: Philadelphia, 1972. All Luke wants is to share his music with the world. When an imposing, slightly older trumpet player called Emmett joins his band, Luke is fascinated – and a lifelong friendship is born. Love and loyalty are forged in the slow burn of tours, shows and recording sessions. Over the years, Luke’s curiosity and Emmett’s indulgence slowly push the two of them into complicated new territory. Emmett tries to keep them safe – but Luke wants it all. In this monumental romance spanning more than twenty years, there are no heroes and no villains – just people doing their best in a messed up world.
Previous chapters: 1 || 2 || 3 || 4 || 5 || 6 || 7 || 8 || 9 || 10 || 11 || 12 || 13 || 14 || 15 || 16 || 17 || 18 || 19 || 20 || 21 || 22

Chapter 23

The wedding went off smoothly in the last week of September, with Luke as the best man. He gave a touching speech, charmed Emmett's many family members, danced once with the by now heavily pregnant Angela, and joined the hired band to sing a couple of songs. Afterwards, Emmett and Angela headed off for a short honeymoon while Eddie and Laura brought Luke back to his house and took turns staying with him until he was able to be alone.

After the honeymoon, Emmett and Angela moved into a new apartment in suburban Philadelphia, and Emmett's life was consumed with birthing classes and nursery furniture. His first daughter arrived without incident in early October. Luke showed up at the hospital to admire the baby, congratulate the parents, drop off gifts, and sneak in a couple of kisses with the father when they were alone. Emmett assured Luke he'd be able to spend more time with him soon.

Rehearsals started up again a couple of weeks later, and Emmett sometimes hung around after they ended to catch up with Luke. When the tour began, in early November, Angela stayed behind with little Mary-Ann, named for Emmett's mother.

For Luke, the live performances were a relief, an adrenaline shot of the excitement and joy he'd almost forgotten existed over his last few months of despondency. )
mesamm: (Default)
Story: El & Em
Rating: NC-17 (in a couple of later chapters only)
Word Count: This part: 3,200. Full story: About 103k.
Summary: Philadelphia, 1972. All Luke wants is to share his music with the world. When an imposing, slightly older trumpet player called Emmett joins his band, Luke is fascinated – and a lifelong friendship is born. Love and loyalty are forged in the slow burn of tours, shows and recording sessions. Over the years, Luke’s curiosity and Emmett’s indulgence slowly push the two of them into complicated new territory. Emmett tries to keep them safe – but Luke wants it all. In this monumental romance spanning more than twenty years, there are no heroes and no villains – just people doing their best in a messed up world.
Previous chapters: 1 || 2 || 3 || 4 || 5 || 6 || 7 || 8 || 9 || 10 || 11 || 12 || 13 || 14 || 15 || 16 || 17 || 18 || 19 || 20 || 21

Chapter 22

By early spring of 1985, Luke had the new album mostly wrapped up. This one was bleaker, darker and more introspective than his previous records. When Emmett listened to the near-final tracks, he looked concerned, but Luke assured him it was just a way of getting his feelings out. Eddie and Emmett both helped with production again, Emmett acting as chief engineer.

They had Forge booked for final review and track listing but at the last minute, Eddie and, inexplicably, Emmett didn't show up. Jenny had just had her first baby so Luke understood that Eddie was needed at home, but Emmett? He'd just left a message at the studio saying something came up and he'd see Luke at home later.

“He's been like this a lot lately,” Luke said moodily, looking down at his beer. “Something's always comin' up.”

“I'm sure it was important,” Laura soothed. “I wish I could help.”

Luke had invited Jerry and Laura to the session as well. Jerry went home once Luke gave up on getting anything done, but Laura joined Luke at a nearby tavern where he could drown his vexations.

“You do help. But – but I need his input before I finalize anything. I don't know what's such a big deal that …”

“It's okay, we have the studio tomorrow too. I'm sure you can finish everything then.” 

“That ain't exactly the point.” )
mesamm: (Default)
Story: El & Em
Rating: NC-17 (in a couple of later chapters only)
Word Count: This part: 3,200. Full story: About 103k.
Summary: Philadelphia, 1972. All Luke wants is to share his music with the world. When an imposing, slightly older trumpet player called Emmett joins his band, Luke is fascinated – and a lifelong friendship is born. Love and loyalty are forged in the slow burn of tours, shows and recording sessions. Over the years, Luke’s curiosity and Emmett’s indulgence slowly push the two of them into complicated new territory. Emmett tries to keep them safe – but Luke wants it all. In this monumental romance spanning more than twenty years, there are no heroes and no villains – just people doing their best in a messed up world.
Previous chapters: 1 || 2 || 3 || 4 || 5 || 6 || 7 || 8 || 9 || 10 || 11 || 12 || 13 || 14 || 15 || 16 || 17 || 18 || 19 || 20

Chapter 21

“So how'd the date go?”

“Oh…” Laura rolled her eyes and smiled. “Another dud. I swear, I'm starting to lose hope.”

Luke handed her a beer and pulled up the Adirondack chair beside her. “Aw, not yet, man. You got plenty of time.”

“I'm thirty-three, Luke. If I'm gonna have kids it's got to be soon.” Laura’s dark hair was bigger these days, teased and scrunched into voluminous curls, and she wore a shiny, tight-fitting satin dress with broad shoulders. Luke supposed it was all very fashionable, but he preferred her simpler looks.

“I know what you mean.” Luke stared out over the green fields of his newly purchased property. “I'm thirty-four, and I'm starting to think about kids now too.”

Laura gave him a commiserating look over the top of her glass. “It's hard to start a family when you're on the road so much of the time.”

“Yeah. Sorry to drag you off with us.” Luke laughed ruefully.

“It's only been once for me. You've been doing it for almost your whole life.”

“That's why we're takin’ a longer break this time. I ain't stayed home for two straight years since I was like…twenty.”

They sat outside, behind the big old Pennsylvania farmhouse Luke had bought a few months back, enjoying the late sunset of early August. )

 


mesamm: (Default)
Story: El & Em
Rating: NC-17 (in a couple of later chapters only)
Word Count: This part: 3,200. Full story: About 103k.
Summary: Philadelphia, 1972. All Luke wants is to share his music with the world. When an imposing, slightly older trumpet player called Emmett joins his band, Luke is fascinated – and a lifelong friendship is born. Love and loyalty are forged in the slow burn of tours, shows and recording sessions. Over the years, Luke’s curiosity and Emmett’s indulgence slowly push the two of them into complicated new territory. Emmett tries to keep them safe – but Luke wants it all. In this monumental romance spanning more than twenty years, there are no heroes and no villains – just people doing their best in a messed up world.
Previous chapters: 1 || 2 || 3 || 4 || 5 || 6 || 7 || 8 || 9 || 10 || 11 || 12 || 13 || 14 || 15 || 16 || 17 || 18 || 19

Chapter 20

 

The knock came about thirty minutes later, just after Emmett had made himself a drink from the bar fridge and sat back down again. Diane answered the door and, seeing Luke, waved a good-bye and went out, with her usual discretion.

Luke checked that the door locked behind her and glanced around to confirm they were alone in the suite, which, for once, they were. When he was sure, he came over to Emmett and started to lower himself to his knees, but Emmett caught his arm.

“No. Go sit over there.” He nodded toward an armchair across from the couch, and Luke moved to it reluctantly.

“Thanks for letting me come over, Em.” )
mesamm: (Default)
Story:El & Em
Rating: NC-17 (in a couple of later chapters only)
Word Count: This part: 3,200. Full story: About 103k.
Summary: Philadelphia, 1972. All Luke wants is to share his music with the world. When an imposing, slightly older trumpet player called Emmett joins his band, Luke is fascinated – and a lifelong friendship is born. Love and loyalty are forged in the slow burn of tours, shows and recording sessions. Over the years, Luke’s curiosity and Emmett’s indulgence slowly push the two of them into complicated new territory. Emmett tries to keep them safe – but Luke wants it all. In this monumental romance spanning more than twenty years, there are no heroes and no villains – just people doing their best in a messed up world.
Previous chapters: 1 || 2 || 3 || 4 || 5 || 6 || 7 || 8 || 9 || 10 || 11 || 12 || 13 || 14 || 15 || 16 || 17 || 18

Chapter 19

If fame made Luke nervous, it didn't bother Emmett at all. This, he figured, was what they'd been working toward for the last ten years – a reward for all their hard work. He hoped Luke would be able to take it in stride.

Touring was still the highlight of his life, and much more comfortable now. Emmett had an assistant of his own – Diane, one of his distant cousins – and a personal trainer who travelled with him, and whatever other services he might need were easily procured. By this time, he'd developed an extensive network of friends and acquaintances across the country, in addition to his own extended family, so there were people to hang out with at every stop. Sometimes he'd join Luke for big A-list events, when the rest of the band was invited. When they weren't, Luke complained about having to find a date and not being able to bring who he really wanted to. But Emmett didn't mind; he knew he'd be overshadowed by bigger names at those events anyway; he much preferred to join a local after-party or late-night club where he'd be treated like royalty all night. It occurred to him that the celebrity and party life might have tempted him, if he hadn't always been conscious of his responsibility for Luke's support and protection.

Financially he was doing pretty well, though not, he understood, as well as Luke. )
mesamm: (Default)
Story:El & Em
Rating: NC-17 (in a couple of later chapters only)
Word Count: This part: 3,200. Full story: About 103k.
Summary: Philadelphia, 1972. All Luke wants is to share his music with the world. When an imposing, slightly older trumpet player called Emmett joins his band, Luke is fascinated – and a lifelong friendship is born. Love and loyalty are forged in the slow burn of tours, shows and recording sessions. Over the years, Luke’s curiosity and Emmett’s indulgence slowly push the two of them into complicated new territory. Emmett tries to keep them safe – but Luke wants it all. In this monumental romance spanning more than twenty years, there are no heroes and no villains – just people doing their best in a messed up world.
Previous chapters: 1 || 2 || 3 || 4 || 5 || 6 || 7 || 8 || 9 || 10 || 11 || 12 || 13 || 14 || 15 || 16 || 17

Part III - Chapter 18

“Sure,” Luke said, ushering the kids toward the front door. “You practise real hard and get good enough, you can join the B-Sides when you're older.”

“I'm pretty good already.” Robbie pulled on his coat and started hunting for his hat and mittens. “I got a recital next week – you should come and see me, Uncle Luke!”

“Yeah, alright, I will, if it's okay with your mom.” Luke shot a glance at Emmett over the top of Robbie's head. “And your dad.”

Emmett nodded at him with a smile, handing a pair of mittens to Robbie.

“What about me?” Walt demanded. “Can't I be in the band too?”

“Well, maybe when Leo retires,” Luke suggested. “I don't think we need two drummers.”

“Maybe you do!”

“Okay, Wally, let's get your boots on,” Emmett said, trying to keep them on track. “Mama will be here in a minute.”

A car horn honking outside Emmett's apartment told them she had already arrived, and they quickly finished bundling up the boys. Luke gave them both hugs and Emmett took them out to Clarissa's car while Luke set about straightening up from the whirlwind impact of the kids' weekend visit.

They'd been back in Philly for almost six months now. )
mesamm: (Default)
Story:El & Em
Rating: NC-17 (in a couple of later chapters only)
Word Count: This part: 3,200. Full story: About 103k.
Summary: Philadelphia, 1972. All Luke wants is to share his music with the world. When an imposing, slightly older trumpet player called Emmett joins his band, Luke is fascinated – and a lifelong friendship is born. Love and loyalty are forged in the slow burn of tours, shows and recording sessions. Over the years, Luke’s curiosity and Emmett’s indulgence slowly push the two of them into complicated new territory. Emmett tries to keep them safe – but Luke wants it all. In this monumental romance spanning more than twenty years, there are no heroes and no villains – just people doing their best in a messed up world.
Previous chapters: 1 || 2 || 3 || 4 || 5 || 6 || 7 || 8 || 9 || 10 || 11 || 12 || 13 || 14 || 15 || 16

Chapter 17

In the morning Luke woke up suffused with a sense of well-being before he remembered why. When he stirred and brushed his arm against Emmett's thigh, the general contentment was instantly replaced with a surge of pride mixed with the giddiness that always came with completing a challenge and shedding a load of pressure. Oh yes, he'd done it.

He looked up, smiling, and saw that Emmett was sitting upright in bed, wearing his robe and his glasses, drinking coffee and reading a newspaper. That struck him as funny, but also unusual since Emmett almost always woke up earlier than Luke and didn't usually wait around for him.

“Hey, Em…”

Emmett glanced down, putting the paper aside. “You're awake.” )
mesamm: (Default)
Story:El & Em
Rating: NC-17 (in a couple of later chapters only)
Word Count: This part: 3,200. Full story: About 103k.
Summary: Philadelphia, 1972. All Luke wants is to share his music with the world. When an imposing, slightly older trumpet player called Emmett joins his band, Luke is fascinated – and a lifelong friendship is born. Love and loyalty are forged in the slow burn of tours, shows and recording sessions. Over the years, Luke’s curiosity and Emmett’s indulgence slowly push the two of them into complicated new territory. Emmett tries to keep them safe – but Luke wants it all. In this monumental romance spanning more than twenty years, there are no heroes and no villains – just people doing their best in a messed up world.
Previous chapters: 1 || 2 || 3 || 4 || 5 || 6 || 7 || 8 || 9 || 10 || 11 || 12 || 13 || 14 || 15

Chapter 16

For the next week or two nothing happened, and Emmett almost might have been able to convince himself Luke's idea had been abandoned. But he'd underestimated Luke too many times before to do it again. The other shoe would drop eventually.

There were no late-night visits or phone calls during that time. Emmett thought about initiating something himself, if only to show they could just continue on as before if they wanted, but he noticed a change in Luke that made him think twice. At first Luke seemed as friendly and comfortable as ever, just focused on work and planning for the end of the tour. Gradually, though, he grew quieter and more withdrawn; a sure sign he was steeling himself up for some kind of intense pressure. Emmett knew what it meant, and left things alone. Luke could take whatever time he needed to sort out his choices.

They moved on from Detroit to Buffalo and then to Boston, arriving the night before the start of a four-show stint there. Emmett had dinner with some of the crew and then, as usual on the first night in a new city, went up to his hotel room alone.

Luke called soon after he got in, barely masking the tension in his voice. “So…you got company?”

Emmett understood. “No. You can come by whenever you're ready.”

So this was going to be the big night. )
mesamm: (Default)
Story:El & Em
Rating: NC-17 (in a couple of later chapters only)
Word Count: This part: 3,200. Full story: About 103k.
Summary: Philadelphia, 1972. All Luke wants is to share his music with the world. When an imposing, slightly older trumpet player called Emmett joins his band, Luke is fascinated – and a lifelong friendship is born. Love and loyalty are forged in the slow burn of tours, shows and recording sessions. Over the years, Luke’s curiosity and Emmett’s indulgence slowly push the two of them into complicated new territory. Emmett tries to keep them safe – but Luke wants it all. In this monumental romance spanning more than twenty years, there are no heroes and no villains – just people doing their best in a messed up world.
Previous chapters: 1 || 2 || 3 || 4 || 5 || 6 || 7 || 8 || 9 || 10 || 11 || 12 || 13 || 14


Chapter 15

In the morning Luke got up and dressed and talked like nothing had happened, which Emmett was grateful for. He'd never meant to talk about his past that way; it was hard to believe Luke didn't think less of him now. But Luke didn't allude to the previous night's conversation or act any different at all.

Pretty soon everything else was forgotten in the excitement of preparing for the European leg of the tour. Emmett had flown to tournaments once or twice during his college wrestling career, but Luke had never been on a plane before and seemed like a kid looking forward to it.

Although the band was doing well now, financially, Luke didn't want to fly over the full team and all their equipment, so adjustments had to be made. The team was reduced to bare minimum, and they all spent more time together again. It was almost like the early touring days.

Emmett loved walking around the cities he'd heard or read about in his youth: Paris, Rome, Berlin, Amsterdam. He tried to get out every day, and the others often joined him – Ray or Gordon or Leo, or Luke whenever he could get away. They were especially curious to meet European women, who were indeed different from their American counterparts in ways Emmett couldn't exactly define, apart from their accents. Luke and Emmett were too busy investigating these differences to spend many nights with each other.

The shows themselves went well, with very large, warm, receptive audiences. )
mesamm: (Default)
Story: El & Em
Rating: NC-17 (in a couple of later chapters only)
Word Count: This part: 3,200. Full story: About 103k.
SummaryPhiladelphia, 1972. All Luke wants is to share his music with the world. When an imposing, slightly older trumpet player called Emmett joins his band, Luke is fascinated – and a lifelong friendship is born. Love and loyalty are forged in the slow burn of tours, shows and recording sessions. Over the years, Luke’s curiosity and Emmett’s indulgence slowly push the two of them into complicated new territory. Emmett tries to keep them safe – but Luke wants it all.  In this monumental romance spanning more than twenty years, there are no heroes and no villains – just people doing their best in a messed up world.
Previous chapters: 1  ||  2  ||  3

Chapter 4

The tour routine fell into place quickly. They'd play a concert, pack up, drive to the next location, crash at a cheap motel, and wake late in the day with a few hours to spare before another show or onward drive. Only Jerry got a private motel room; Emmett elected Gordon for his room-mate, and even Luke shared with Mark. In his free hours Emmett tried to keep up with laundry, work out with the weights he'd packed, maintain his instruments, or pick up postcards and trinkets for the boys.

A couple of weeks in, Emmett noticed Luke giving him an odd look after a show, as though he couldn't quite make up his mind whether to say something or not.

“What's up, man?” Emmett asked, trying to sound reassuring. When something awkward was in the air, his experience said it was best to get it out into the open as soon as possible.

“Yeah, hey, Mountain…I was just wonderin' if you might want to move up a little more for your solos. Y'know, we could put a spot on you, let you have a moment out there with the crowd. What do you think?”

Emmett thought that sounded – surprising. Lead singers weren't usually so eager to put spotlights on anyone besides themselves. But he shrugged and nodded agreeably. “Sure, if that's what you want. I can do that.”

“Cool, thanks.” Luke looked relieved. “I'll talk to José about the lighting.”

There it was again, that slight hint of deference Emmett kept picking up, as though Luke was worried about offending him. Emmett didn't quite know what to make of it.

Later, when he and Gordon stopped for a nightcap... )

 

mesamm: (Default)

Story: El & Em
Rating: NC-17 (in a couple of later chapters only)
Word Count: This part: 3,200. Full story: About 103k.
SummaryPhiladelphia, 1972. All Luke wants is to share his music with the world. When an imposing, slightly older trumpet player called Emmett joins his band, Luke is fascinated – and a lifelong friendship is born. Love and loyalty are forged in the slow burn of tours, shows and recording sessions. Over the years, Luke’s curiosity and Emmett’s indulgence slowly push the two of them into complicated new territory. Emmett tries to keep them safe – but Luke wants it all.  In this monumental romance spanning more than twenty years, there are no heroes and no villains – just people doing their best in a messed up world.
Previous chapters: 1  ||  2

Chapter 3

A week before they were supposed to leave, just when Luke was daring to think that the universe was on his side, a new crisis erupted and delayed their start.

It was after one of their final shows, at a club in North Philly, where everything had gone smoothly and Luke was at last satisfied with the set, song flow and arrangements. The band played till last call, so once they finished the crowd was sent off and the club left empty except for a few staff and Luke's band, loading out their equipment.

Luke was at the bar, settling up with the club manager, when a sound rose up gradually from the back. He didn't pay much attention at first – angry voices were a staple of the tear-down process at the end of an exhausting night – but the clamour quickly grew to abnormal proportions, with loud bangs and thuds added to the rest of the tumult.

The manager and Luke exchanged looks, and Luke shrugged apologetically. He glanced around for Jerry, who had probably already left, and then at the stage. No one was there; the noise seemed to be coming from outside, where the band's rented Econoline was being loaded.

Then Leo put his head in the back door. “Luke! You better get out here. Emmett's got Art in a choke hold. I think he might kill him!”

“Oh shit.” Luke broke into a run.

Outside, Emmett was indeed clenching a purple-faced Art in what looked like some kind of wrestling hold, while Art clawed helplessly at Emmett's muscular forearm and kicked out his feet. Luke couldn't see Emmett's face but Gordon stood beside him with a hand on his shoulder, speaking to him in a low voice.

Emmett!” Luke shouted, racing toward them.

Gordon turned to him with a warning look, his hand tightening on Emmett's shoulder. “Don't make it worse,” he said to Luke.

Luke stopped abruptly, but at that moment the tension in Emmett's body seemed to drain, and his grip on Art relaxed. A moment later he stood up, paused for a second while Art choked a little on the ground, then gave Luke a blank look and walked slowly past him, through the back door into the club.

The others stood around, staring at each other and then at Art.

“You okay?” Leo asked him finally.

Art gasped for breath, and struggled up to a sitting position. “That son of a bitch tried to kill me. Look at this!” He reached up to his neck, now ringed by a bright red rash. “You see this? He's fucking crazy. That's it, Luke – he’s gotta go!”

No one else had moved. Luke ran a hand through his hair, then reached down to help Art to his feet. “Jesus, Artie, sorry about…but I don't get it, man, what happened?”

“I told you, he's crazy! He just – he just lunged at me without warning!”

“But there must have been something…I better go talk to him.”

“What is there to talk about?” Art demanded. “You saw what he did! I'm telling ya, we can’t keep working with that motherfucker.”

His position seemed reasonable enough. Luke glanced around at the others, who were looking away, and finally nodded, slowly. “Okay. I'll go…”

“He used a racist insult,” Gordon said suddenly.

Luke stopped mid-turn, and turned back. “What?”

“This one.” Gordon gestured with contempt at Art, who was now propped against the van. “You know Emmett's been keeping him in line single-handedly for weeks, and Art doesn't like…”

“Fuck off, asshole!” Art cut in viciously. “Keep out of this, it's none of your business.”

It was an odd relief to find that the situation might be more complicated than Luke had first thought. He frowned, then nodded at Gordon. “Can you come over here, Gordie?”

The two of them walked to a quiet corner of the parking lot, where Luke asked Gordon to tell him the full story. Gordon quietly explained that Art had been causing trouble regularly for weeks, mostly in Luke's absence, and Emmett had been stepping in to stop fights and smooth things over. Tonight, after one too many incidents, Emmett had lost his temper – verbally, Gordon stressed – and threatened to tell Luke the next time it happened. Art had retaliated with a barrage of threats, insults and abuse, which Gordon repeated with cold precision.

“Leo heard it all as well. He'll back me up.”

“Art used that word?” Luke asked, disbelieving.

“Not the first time.”

Luke blanched. “I'm sorry, Gordie. I didn't know.”

“I don't blame Emmett for losing it. He was mighty provoked.”

“Me neither. I can't believe I been friends with Art all these years and never knew he was like that.”

Gordon gave Luke a look that he couldn't quite read.

“Anyways, thanks for telling me. Let's go back.”

They walked across the parking lot to where Art was now sitting in the open van doorway, holding his neck and talking with animated anger to the rest of the guys, who stood around uneasily.

“Art, you're fired,” Luke said. He did feel a slight pang when he said it – they'd known each other a long time – but no doubts.

What? I'm fired?”

Luke glanced around. “Leo, you mind finding him a cab? He ain't riding in the van with Em. He can take the cab to a hospital if he wants. Art, you'll get your last paycheque next week. Okay, boys, finish up the loading and wait for me while I go find Emmett.”

He thought he saw a few small smiles among the other guys as he turned around and headed back to the club.

Inside, the room was almost dark, the lights off and the manager just finishing up at the bar. Luke looked around until he saw Emmett, his dark skin blending into the shadows in a corner.

“Hey, Em,” Luke said quietly.

Emmett looked up without speaking. As Luke drew closer, he could see in Emmett’s eyes what he was afraid of.

“It's okay,” Luke said quickly. “Art’s out, you're staying. I hope.”

There was a silence, and Luke slowly lowered himself into another chair in the corner. After a moment he added, “I didn't know what was happening. I'm sorry you got stuck with all that.”

They both sat quietly, until Emmett finally spoke. “I've been working so long on my temper. I really hate when I lose control.”

Luke nodded in the darkness. “Same here. It ain't always easy when you're quick on the draw.”

Emmett sighed. “I haven't seen you lose it.”

“Not yet. You will. And Art wasn't pushing my buttons.”

After another long pause, Emmett spoke in a different tone. “We're supposed to leave in a week. How are you going to get another tech up to speed in a week?”

Luke gave a low chuckle. “Don't worry about that. This town's crawlin' with unemployed musicians, I'm sure I can find one who ain't a fucking racist.”

In the darkness, Emmett smiled slowly. “Or a psychopath?”

“Neither. We'll find us a nice normal equipment guy that gets along with everyone. Now come on, will ya? They want to lock the door here, and the guys are ready to go. Except for Art, he's takin' a cab.”

As they walked to the back door together, Emmett put a hand on Luke's shoulder. It was a large hand, heavy but warm, and somehow it filled Luke with a sense of comfort and security.

***

Emmett stood on the street corner near his house, backpack and duffle bag on the ground in front of him, holding Robbie's hand and trying not to show his excitement. Beside him, Clarissa stood stiffly in her blue wool coat and matching hat, little Walter in her arms.

Walter, a few months away from his fourth birthday, leaned toward Emmett. “When you come home, papa?” he asked, for perhaps the sixth time.

Emmett let go of Robbie's hand and reached over to take Walter. “In a few sleeps, Wally,” he said, his excitement once again tempered with guilt. “I'll see you again before you know it. Do you remember what I told you about what you need to do while I'm away?”

“Yes. Be a good boy for mama and grandma.”

Clarissa's lips tightened as she reached over for Robbie's hand without speaking. She might have agreed to this, but that didn't mean she liked it.

Emmett turned his head toward her and said in a low voice, “Clary…”

But she looked past him down the street. “Is that it?”

He turned. It was. Not a school bus exactly, but a short yellow bus that started honking as it got close enough for the driver to recognize him.

In the end, the tour had only been delayed a few days. Luke had quickly produced an older cousin with limited musical experience but a knack for tinkering. Mark was calm, stoic, and a quick learner. Everyone approved of the new addition, and within a few days Luke was confident enough to give Jerry a revised date for the tour to start. Things happened quickly after that – Emmett signed a contract, got an itinerary and instructions, finished his last day at work, did some final shopping for supplies, packed all his instruments and helped stack up equipment ready for loading. And now, here they were.

The bus pulled up at the corner and Emmett kissed Walter one last time. “Be a big boy for papa,” he whispered, setting his son gently on the ground. He reached for Robbie and lifted him up, then paused in surprise as Luke stepped out through the open bus door.

“Hey Em! Guess everyone's here to see you off.” Luke went directly over to Clarissa and offered his hand. “I'm Luke, the one taking your husband away from you.”

To Emmett's relief, Clarissa accepted his hand with a slight smile, as though even she couldn't quite resist Luke's charm.

“My wife Clarissa,” Emmett said hastily. “And these are my boys, this one's Rob and the little guy's Walt.”

“Hi Rob, hi Walt.” Luke squatted down to look Walt in the eye. “I promise to take real good care of your daddy and bring him home to you soon. Okay?”

Walter nodded, and Emmett kissed Robbie, whispered a couple of words to him and set him onto the sidewalk.

“These yours?” Luke gestured at the baggage, picked up the duffel bag and turned to toss it into the bus.

Emmett put his arms around Clarissa tentatively. “See you, baby. Love you.” She kissed him back, none too enthusiastically, and he reached down to grab his backpack. When he turned to give them all a last look and a wave, Clarissa seemed more sad than angry.

On the bus, Emmett grinned at Jerry, who was driving, and the rest of the guys, who called greetings to him, and lowered himself into one of the empty seats. Luke had already re-boarded and was sharing a seat with his current girlfriend, Wanda. Was he going to exempt himself from the rule about not bringing anyone else along? But at their final pickup stop, which was for Mark, the new instrument tech, Luke and Wanda both got off, and Emmett watched through the window as they said a lingering goodbye to each other while Mark loaded in his bags. Then Luke bounded back onto the bus alone, and they were off.

***

The plan was to head north first, bypassing New York for now, then cut over to the west as far as Kansas City, south to Nashville or maybe Memphis, depending on what Jerry could line up, turn east again and finally work their way back up the east coast to Philly. The band generally had bookings every night or two, and Jerry was still working on more, particularly in New York where he was trying to line up a week's worth of shows at one of the bigger clubs for sometime at the tail end of the tour.

That first night they had a gig in Ithaca, and afterwards would spend the night in Syracuse to be ready for a show there the next day.

“No rest for the wicked!” Luke said gleefully.

Having got off to a late start, they arrived shortly before the band was due to start, rushed and hungry, with just enough time to unload and set up before the bar's manager hurried them on to the stage. As usual, Luke's mood switched instantly when the lights turned on him, and even Emmett, who had seen a lavish spread in the greenroom that he hadn't had chance to sample, quickly forgot his hunger in the joy of playing.

It was Emmett's first time playing a real tour and he wondered how different the shows would be. But the bar in Ithaca, with its low stage set in front of a room full of run-down wood tables and chairs, and its small crowd of enthusiastic music fans mixed with stalwart drinkers, could have easily been exchanged with any one of the local Philly venues.

They did two sets and the second one was even more fun, after Emmett grabbed a bite to eat during the break. Afterward Jerry allowed them a half-hour or so to rest and finish off what was left of the catering before announcing that it was time to finish loading up the bus and get on their way.

Emmett, fortified, took on his full share of lifting and carrying, loading equipment through the bus' back doors. There was no separate storage space, so the three back seats were piled high with baggage, instruments and stage equipment, leaving just enough room for the band and crew at the front.

When Emmett got on, he slid his bulky frame into the last empty seat and leaned his forehead against the window, watching as Luke and Jerry chatted with the bar manager under the street lamps in the parking lot. Luke favoured jeans that were more straight-legged than the flares most guys wore, giving him a slimmer profile in the dusky light. After a few minutes the men wrapped things up with handshakes and claps on the shoulder, and Jerry and Luke crossed the empty lot to climb up into the bus.

“So…” Luke said, heading up the aisle toward Emmett as Jerry took the driver's seat. “How's your first night on the road?”

“I thought it went pretty good, sound wasn't too bad considering the set up time.” Emmett looked up brightly, still wired after almost four hours of playing.

The others were slumped into their seats, drained, leaning against windows with closed eyes. Luke glanced around at them before swinging himself into the seat beside Emmett.

“Yeah, it’s better when we get a sound-check beforehand. The guys had no time for lights or sound.”

“Sounded good to me though.” Emmett slid over a bit to make more room for Luke. “And the crowd seemed happy.”

“Yeah, good crowd tonight, lotsa response.” Luke stood up, did a quick headcount, and called out to Jerry: “All accounted for, let's move out.” He dropped down again and leaned his head against the seat back, then slid a sideways glance at Emmett. “You see those two chicks in the front, the one with the red sweater…?”

“The blonde with the dark-haired friend, yeah, I thought she might try to rush the stage at one point.”

“I seen them before, maybe in Buffalo or something. They must follow us around.”

“Or they've got friends here in Ithaca. I didn't see them backstage after.” The bus had begun to move, pulling slowly out of the parking lot and onto the road, the interior dimming as neon and street lights faded behind them.

“You get enough to eat?”

“Oh man, that spread in the greenroom…!” Emmett enthused.

Luke laughed. “Yeah, you know, I don't eat much before we go on, I still get too nervous…”

“But you ate some after though, right?”

“You ain't worried about me, are you?” Luke asked with his self-deprecating chuckle. “You sound kinda concerned.”

“I kinda am.” Emmett looked down at him, marvelling openly. “You keep it up for three and a half hours straight, hardly any break, no food…! One of these days you're gonna pass out.”

“I ate enough after, though. Hey, you got a coupla real cute kids, man.”

Emmett couldn't help his proud smile. “Yeah, they're good boys.”

“Cutest kids I ever seen. And nice to meet Clarissa. She wasn't looking too happy though.” Luke shot Emmett another one of his sidelong glances. “She ain't thrilled about you comin' along on this tour, I guess.”

Outside the bus windows, dark empty fields rushed by, the town already faded behind them. Emmett didn’t want Clarissa's resistance to reflect on his own enthusiasm. “I mean, she's worried about being on her own with the boys. But I have my mother coming in to help her out. She'll be okay.”

“If you say so.” Luke dropped his head against the seat back again. “Wake me up when we get to Syracuse,” he drawled, shutting his eyes.

“Sure thing,” Emmett promised, and turned his face to the empty black square of window beside him.

By the time the bus pulled into their motel on the outskirts of Syracuse, Luke's head had fallen onto Emmett's broad shoulder and Emmett barely had the heart to shake him awake.

mesamm: (Default)
Story: El & Em
Rating: NC-17 (in a couple of later chapters only)
Word Count: This part: 3,200. Full story: About 103k.
SummaryPhiladelphia, 1972. All Luke wants is to share his music with the world. When an imposing, slightly older trumpet player called Emmett joins his band, Luke is fascinated – and a lifelong friendship is born. Love and loyalty are forged in the slow burn of tours, shows and recording sessions. Over the years, Luke’s curiosity and Emmett’s indulgence slowly push the two of them into complicated new territory. Emmett tries to keep them safe – but Luke wants it all.  In this monumental romance spanning more than twenty years, there are no heroes and no villains – just people doing their best in a messed up world.
Previous chapters: 1

Chapter 2

Emmett Evans carried his instruments with him everywhere. Even in college, he'd slide a harp into his pocket before he left home in the morning. You just never knew when an opportunity to play might come up. In the years since he'd graduated, as his dreams of pro wrestling faded away and he slipped into the routine of work and family, music had become even more important. He'd play anything, with anyone, and if nothing else came up he'd carry his trumpet and harmonica into the local live music bars and ask if he could sit in. That led him to a few paid gigs with different bands, and if Clarissa wasn't thrilled about him being out every night, she didn't mind the extra cash he brought home to supplement his meagre social worker's income.

Mel's band was the latest in a string of these gigs. The watered-down R&B covers were a bit stale, but Mel himself was decent enough, the vibe was laid back, and the work was regular. It would do till he found something better. Emmett didn't exactly know what he wanted musically, but he preferred the new blues-rock sound over the soul and R&B hits he usually got pegged into and he thought it might be exciting to learn original songs – songs he hadn't played a thousand times before.

Of course he'd heard of Luke Clarkston. Emmett knew everyone in the Philly music scene, even though he hadn't grown up there – he'd moved to town for college and then just stayed – and had played with most of them at one time or another. Luke had been part of the scene, in a variety of different bands, at least since Emmett graduated, a good eight years back. Their paths hadn't crossed but Emmett always meant to look up Luke's latest band some day and ask if he could sit in.

And then Luke just showed up one night looking for him. That was a surprise, but gratifying. Emmett had liked Leo when they worked together, many years before, so his introduction set them off on a good footing. Luke himself was younger than Emmett expected; more boyish and long-haired, kind of a pretty hippy type on the surface. But he was friendly and polite, the minimum Emmett looked for in an employer, and at times he seemed to turn on a little charm, like he really wanted Emmett to like him, which was a bit flattering.

It was only the next day, when they played live together for the first time, that Emmett was sure of him. Luke's songs were different, full of fire and passion and driving rock beats with lots of room to bring in a trumpet line or a refrain on the harp. Generally, when he joined a band on stage, Emmett didn't like to grandstand – it tended to annoy the band's leader, who likely was or would be his boss. But from the beginning, Luke encouraged him to explore; he'd settle the rest of his band into a groove and give Emmett a smile and nod that told him he was free to show off what he could do.

Emmett had a blast that night; it was everything he'd hoped for. The music felt fresh and exciting – new to him but with a base in electric blues or jazz; not so different that he couldn't keep up, couldn't find rhythms and techniques from his past and apply them. And Luke – who had seemed so slight and diffident the night before – turned into a firebrand onstage. Not just confident but hypnotic, magnetic; playful and mischievous at one moment, a prowling powerhouse the next. Emmett could see him reading the room, feeding off the crowd to fuel the band's energy, and control the flow of the show. So young to be commanding a room so skillfully; he'd obviously been doing this for years.

After the last set, Emmett stayed behind for a couple of drinks with the band – he'd have some explaining to do with Clarissa later – and heard about Luke's plans for his next album.

“We're booked at the studio for two weeks starting next Tuesday.” The adrenaline drained, Luke had already transformed back to that mellow, amiable kid he'd seemed to Emmett the night before. “I got a bunch of songs ready but there's a couple I always wanted to add horns to. Never thought about harp but I could see that workin' in a few places too.”

Emmett made no effort to hide his eagerness. “You want me to come in for a couple of days?”

“Yeah but I don't wanna waste studio time figuring out your parts. Can you meet us a bit beforehand? I know you got another gig but maybe during the day…?”

“How about right after work? Say around five-thirty?”

Luke stared at him, then broke into a grin. “Man, you work for a living? Like, nine-to-five?”

“Yeah.” Emmett wondered if that made him seem uncommitted. “I mean, I can still – ”

“Huh, a real grown-up with a job, I never knew one of those before,” Luke said, but he sounded more impressed than mocking.

They settled on a time a couple of days later when, Luke assured them all, Eddie would be back and able to join them. Emmett didn't know who Eddie was but he got the address of their practice space and showed up twenty minutes early, instrument case in hand, ready to go.

Luke was easy to work with. He knew what he had in mind for the songs they were working on – a horn solo here, a bit of added texture there, a longer line at the end of one song – but was open to input and gave quick feedback, letting Emmett know what he liked or didn't like. They worked out Emmett's parts over the course of a few days, and a week or so later Emmett met him at the studio.

By this time the foundation tracks for their songs had already been laid, so Emmett only had to layer his pieces on top. When he was finished, Luke paid him at a very fair rate and said he'd be in touch soon. Emmett would have loved to stay and see more of the recording process but he didn't want to push his luck so he shook hands with Luke and the rest of the guys and headed home, wondering if he'd hear from Luke again.

A month or two later, he did. The album was in final production, scheduled for release in the new year, and the record company was sending Luke out on a real tour to promote it. Luke wanted Emmett to join the band.

***

Of course there were complications. Sometimes it seemed like Emmett's life was always complicated. To start with he had to sell Clarissa on the idea that he'd be away for four months at least. Luke had said something that sounded like “maybe six” but Emmett didn't think it was worth mentioning that possibility. Understandably, Clarissa didn't like the idea of being home alone with the boys for such a long time, and when Emmett asked his mother to help out, she immediately sided with Clarissa.

When that struggle was finally won – he told them both how much money Luke had offered, and promised to come home any time he had more than a three-day break in the schedule – Emmett had to talk to Mel about quitting his band. That was only a bit easier, as it turned out that Mel was somewhat jealous of Luke's success and bitter about losing one of his own to the competition. Privately, Emmett thought that Luke hardly considered Mel a rival – Luke probably never considered Mel at all – but he didn't like to burn bridges so tried to make it sound like a purely economic decision.

Then there was his day job. Emmett worked as a counsellor at a state-run training school for boys; he'd been there for years, had a good schedule and liked the kids, so he hesitated to give up the position. Clarissa would never have allowed it anyway. After a bit of scrambling, Emmett made a deal with another social worker, a substitute at the home who was looking for full-time hours and happy to take on Emmett's shifts for a few months. The managers didn't like it, of course, but Emmett turned on the charm and talked them around.

Meanwhile, the tour was planned for early the next year, and in the interim Luke's manager booked a bunch of gigs in the tri-state area so the guys could start working together and gel as a band. Rehearsals started immediately.

Emmett kept his head down at first, playing it safe while he scoped out the situation. This whole venture was far more big-time than anything he'd been part of yet, so he was excited and a little nervous, not wanting to blow his chances.

The other guys were friendly enough. Having another brother in the band was promising, though Gordon's background was very different from Emmett's. It was easy to pick up again with Leo, and Pete’s chaotic energy could be appealing, but Emmett was a bit wary of the older instrument tech, Art, who had an aggressive edge and often seemed to be on the verge of an explosion. Eddie turned out to be a sharply-dressed, hip-looking white kid, about Luke's age, who played guitar and was apparently some kind of musical mastermind. He and Luke were tight, often conferring together on arrangements and solos, and everyone accepted him as Luke's second in command.

The first time they met, at a rehearsal, Eddie looked Emmett up and down and gave an admiring whistle. “You didn't tell me the new guy was an actual mountain of a man,” he said to Luke with a raised eyebrow, then turned back to give Emmett a welcoming clap on the shoulder.

The next day, when Emmett walked into the room, Luke looked up and said, “Here comes the mountain,” and from then on, Mountain was how he was known.

Emmett didn't mind that. He knew he was a big man, and he had no quarrel with people pointing it out. In other bands, he'd generally been expected to play a de facto bouncer role, helping to keep unruly crowds under control or protecting the lead guys when someone rushed the stage. With Luke being so young and lean, it made sense he'd want the same thing. Emmett always tried to keep an even temper and not overuse his disproportionate size and strength in conflicts. In his youth he’d been quicker to act, but these days he valued his self-control.

They spent the next few months rehearsing and playing live, and every day Emmett grew more sure he'd made the right choice. This kid was the real deal. Luke had an almost startling conviction, an absolute clarity in his vision and faith in his songs that made you forget he was only twenty-three. He had things he wanted to say with his music, and he meant to say them. As easy-going as he could be over a beer or hanging out at the end of a show, Luke ruled over the band's work with ruthless precision.

“This is not a democracy,” he'd say occasionally, somehow taking the edge off his words with a self-deprecating laugh. “I been in those bands before and they ain't for me. This is my band. It's gotta sound like I want it to.”

The only voice Luke deferred to when it came to his music was Eddie's, and even then only occasionally. The two of them would argue and debate during practices, trying out one idea after another, sometimes appealing to the others, who mostly just waited around for the two of them to come to a decision. Emmett liked it when Luke asked his opinion, and did his best to provide good advice. But oddly, even though Eddie seemed to be at all the rehearsals, he only joined them onstage once in a while.

“What's the deal with Eddie?” Emmett asked Leo curiously, as they waited once again for him and Luke to settle on a key for the current song. “Is he in the band or not?”

“I guess not,” Leo said. “He has his own band now, I guess he doesn't have time for ours as well.”

“But he's always here.”

Leo shrugged. “This is just where he hangs out. Him and Luke, they've always worked together, even when they're in different bands. Eddie did most of the lead guitar on both Luke's records. I think Luke's still hoping he might come on tour with us, but I doubt that's happening.”

“Does Eddie have a record contract too?” Sometimes Emmett thought anything might be possible with these two.

“No.” Leo smiled at him faintly. “I dunno how he feels about that.”

Luke was using this period to try out new songs and arrangements, test set lists, and experiment with the live act before the tour kicked off. As the work went on – developing and arranging in rehearsals, testing out in the live shows – Emmett found his role in the band changing. He held back at first, careful not to overstep, playing only where and when Luke directed him. But as Luke added new songs, or reworked old ones, he seemed to seize on the possibilities that Emmett's instruments opened up, like a boy excited by new toys. He worked closely with Emmett to build them in – filling up rhythm layers with the trumpet, finding spaces for the harp, adding whole new solos. Luke even liked Emmett's voice and had him add the occasional backing vocal when he wasn't playing an instrument.

Encouraged, Emmett put more power into his horn playing, and Luke would respond by trading off lead lines with him, so that Emmett's trumpet soon replaced Eddie's guitar in the harder-edged songs when they played live. In looser, more jazzy pieces, they'd take turns stretching out into solos, Emmett's trumpet following Gordon's piano or Luke's guitar; and in the slowest, moodiest songs, Luke used Emmett's harp to add a kind of melancholy undertone.

For Emmett, it was a revelation. He'd grown up on the standards – the blues, jazz and gospel classics, the soul and R&B hits; they were all part of his muscle memory. But Luke took him to new places, in directions he'd never even considered or thought possible. He was quickly convinced that, whatever people might think about Eddie, Luke was the actual musical genius.

Onstage, Luke gave his full focus to the live experience. At every show, he seemed to size up the crowd and make a personal connection with everyone in it, subtly adjusting his performance each night in mysterious ways that Emmett didn't quite understand but could see the impact of. Luke delivered every song with total conviction, without a hint of irony or reserve. For the deep, intense narrative powerhouses, he'd stand at the mic under a single spot with eyes shut tight and guitar slung behind his back, looking like he'd moved onto another plane of existence. For the more rousing rockers he'd jump around the stage in infinite motion, bouncing from one band member to the next, carrying his mic out into the audience, bounding onto speakers or the top of the piano, pulling the crowd into sing-alongs and chants – brash one moment, goofy or self-mocking the next, always mesmerizing.

At first Emmett assumed that Luke's live persona – the boyish charm and playfulness heightened with sparks of intense emotion – was an act, a performance contrasting with the real-life seriousness he applied to his craft. But no, that was backwards. Those moments on stage, sharing what he felt most deeply, finding communion with a crowd singing his own words back to him, creating a kind of transcendent shared experience – those were what Luke lived for. Everything else was just what he had to do to get there.

***

Emmett's mama always told him he should dress well to be treated well. Emmett had seen enough news through the years to have his doubts about that, but he still agreed that good clothes could be the best armour. He generally wore dress shirts and ties to work, and jackets on stage. One of his first paycheques from Luke went to the purchase of a stylish white suit, followed by dressier shoes, updated glasses, and a nice hat as the cheques went on.

When he'd started performing with Luke's band, he wondered if he might be over-dressed. Pete and Leo leaned toward non-descript white-guy clothes – bell-bottoms or cords with wide-collared button-up shirts – while Luke himself only ever wore jeans and a t-shirt. Gordon had some nice outfits but he was generally hidden behind the piano or keyboard. It was kind of a relief on the nights Eddie joined them, as his modish hats and snazzy suits made Emmett feel relatively staid in comparison.

In any case, there didn’t seem to be any problems with his appearance. Though Luke grew more despotic with the rest of the band as the tour drew closer, and his previously even temper sometimes frayed under the stress, he seemed to give Emmett a lot of leeway. In fact, when Emmett asked about anything not directly related to music – where he should stand on stage, what time he should show up before a gig, which dressing table he should use in the greenroom – Luke seemed reluctant to give him any instructions, usually responding with something along the lines of, “Whatever you want, Mountain.”

During performances, Emmett focused tightly on his work, trying to reflect the most recent changes made in rehearsals while still keeping up with whatever Luke was doing live. He took up a position on the right of the stage, near the back, and concentrated on switching from one instrument to another, stepping up to his mic to add backing vocals when needed, and keeping a close eye on Luke. In those early days, he didn't think about the audience too much; that was Luke's business. Emmett's job was to support Luke and, to a lesser extent, the rest of the band.

The odd time something would go wrong on stage, and Emmett tried to step in where he could. Luke spent a lot of time out in the audience and occasionally Emmett helped to extricate him – the bars didn't have a lot of security, and the crowds were often enthusiastic, rowdy and drunk. Emmett would keep a close eye on the audience and wade in to make space for Luke when it looked like he was in danger of being overwhelmed.

Other times, Luke's long jaunts through the room would create a tangle of mic or guitar cables that threatened to trip him up, or he'd knock over a mic stand or speaker on his way back. The band didn't have much of a crew, just lighting and sound board, and the equipment wrangler backstage. When Art wasn't in sight, Emmett jumped in to untangle the cables or right the equipment. He didn't quite know what to do when young women would rush the stage to force kisses on Luke, who professed to be flattered but really, Emmett suspected, disliked the attacks.

An even bigger problem often loomed after the gig was over, or sometimes beforehand, while the band paused for a drink after sound check, when the volatile Art inevitably succeeded in striking up one of the altercations he seemed to live for. They ranged from shouting matches to knock-down drag-out fights, and could involve anyone from a hapless bar patron or the bartender to another band member or one of the support crew. Emmett grew mighty tired of hauling Art’s sorry ass off of dumbfounded drinkers or his own co-workers. The worst of it was that despite his apparent unpredictability, he often managed to pick moments when neither Luke or Jerry were around to see the chaos. And no one wanted to be a snitch.

But most of this was par for the course as a local bar band, and none of it dampened Emmett's overall excitement.

The album released just before Christmas, and Luke played the whole thing at a special session with the band. Afterward Emmett bought a copy to show Clarissa and the kids, and played it over and over again at home. The band took a break over Christmas, then re-grouped in early 1974 for a few more rehearsals and shows, with the tour scheduled to take off at the beginning of March and last until at least June. In the new year, Luke spent more time stressing over planning and logistics with Jerry, who had taken to dropping in on practices as well as shows now. There was an extended discussion about who would actually be part of the tour, and in the end Jerry and Luke settled on band members – minus Eddie, who declined to join them – plus Jerry, light and sound techs, and Art.

“We can't afford roadies,” Luke advised the band, filling them in before they started rehearsal. “So sorry boys, we're all gonna have to do the loading and unloading.”

They had a real practice space now, with heating and power and even a desk at the back where Jerry worked while the band played.

Art already looked steamed. “You guys better haul your own equipment, man. You know about my back.”

“Yeah, we get it,” Luke said shortly, and Emmett exchanged rolled eyes with Gordie. “You can help Jerry drive.”

“What are we gonna be riding?” Pete asked.

“We got an actual bus this time!” Luke crowed. “Well, ok, it's like one of those short school buses. But a bus. Should be room for all of us plus equipment, but no girlfriends or buddies or, you know, your mom. Keep your baggage light and do laundry on the road.”

At the back of the room, Jerry looked up from the phone call he was on. “Hey, Luke! Looks like your single's finally getting some airplay.”

Wha-at?” Luke stopped tuning his guitar and stared over at Jerry in amazement. “It is?”

“Well, that's the good news. The bad news is that it's on college radio, which you know no one actually listens to. And also…it's the B-side.”

“What?” Luke said, laughing now. He grinned at Emmett. “The B-side's the worst song on that album.”

“How come they're playing it then?”

Jerry shrugged. “Who knows what college kids like. B-sides I guess. You should be glad; they're your main audience you know.”

“Yeah, fine, I'll make a new set list of B-sides only,” Luke grumbled.

“And by the way,” Jerry added, hanging up. “You guys need a name. I don't know what to put on the contracts.”

Emmett, Gordon and Luke looked at each other, the same idea apparently occurring to all of them simultaneously.

“All right, all right!” Luke said, laughing. “Luke Clarkston and the B-Sides it is.”

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